I loved the narrative voice given to Jess, and the immediacy of her story, where every moment is painted with vivid detail. Miller’s dry, sometimes sardonic sense of humor gives the story just enough of an edge, and the four family members trapped in the sardine can car on a road trip to witness the Rapture in California, keep tensions simmering and nearly ready to boil. And yet the sisters’ conflicts are never predictable and the parents are never the cardboard antagonists they could easily have become. We develop sympathy for the mother and the father’s weaknesses and inconsistencies, even as we get to know the two sisters through their rebellions: arguments about wearing their King Jesus t-shirts and misadventures with the boys they meet along the road. If anything, I might like to see a little more resolution of the issues of underage drinking, date rape, and teen pregnancy. The issues are there and portrayed realistically, but never quite acknowledged by the characters or resolved, though a full resolution might be too much to ask of the 15-year-old narrator. We are left with haunting questions that make this so much more than the typical road-trip novel. The changing relationship between the two sisters, and their understanding of their parents’ humanity provide the heart of a story that will remain with you long after the road trip ends.
Published by Kendall Dunkelberg
I am a poet, translator, and professor of literature and creative writing at Mississippi University for Women, where I direct the Low-Res MFA in Creative Writing, the undergraduate concentration in creative writing, and the Eudora Welty Writers' Symposium. I have published three books of poetry, Barrier Island Suite, Time Capsules, and Landscapes and Architectures, as well as a collection of translations of the Belgian poet Paul Snoek, Hercules, Richelieu, and Nostradamus. I live in Columbus with my wife, Kim Whitehead; son, Aidan; and dog, Aleida. View more posts