A Fitting Finale to #AWP18

What a great experience this AWP was! And what a fine ending. This evening, I went to an inspiring poetry reading, presented by the Academy of American Poets, featuring Layli Long Soldier, Khaled Matawa, and Mark Doty. In contrast to last night, there was no tension in the room and the poems were allowed to be political. Long Soldier read her response to the apology to native peoples signed into law under Barack Obama, after a preface where she recounted how it had been written and signed, but not read aloud and without any native leaders present. Matawa read a new series of poems about the migration crisis from the Middle East and Africa, and Doty read poems about his neighborhood  in New York with many references to the political situation in the U.S. The poems were not strident, yet they beautifully expressed the complexity of our time.

The most fitting ending, though, was that as I was coming out of the reading, I happened to check my email and saw that Tar River Poetry had sent the page proofs for a poem that will appear in this spring’s issue.

So the conference began with a poem accepted and published at The Ekphrastic Review and ended with news of another publication. I know “Birdsongs” had been accepted, but hadn’t been notified yet which issue it would appear in, so this was excellent news.

Between these two bookends, AWP was another great experience. This year, we had several students from our low-res MFA program in attendance, including one alumna, Tammie Rice, who helped organize our book table and got us some great swag (thank you again Tammie!). I got to talk to a ton of people, including several contributors to Ponder Review and Poetry South, as well as several teachers interested in A Writer’s Craft and someone at New Pages who might blog about it. I handed out lots of flyers and even a few exam copies I had on hand. I also got to reconnect with writer friends and make new friends at the book fair, and we had a great time at the Eudora Welty Writers’ Symposium panel, celebrating our 30th year. As always, it was incredibly busy, exhausting, and rewarding!

See you next year in Portland, where hopefully more great things will happen, though I doubt I’ll be able to match the experience of publishing a poem on the first and last day of the conference again!

Published by Kendall Dunkelberg

I am a poet, translator, and professor of literature and creative writing at Mississippi University for Women, where I direct the Low-Res MFA in Creative Writing, the undergraduate concentration in creative writing, and the Eudora Welty Writers' Symposium. I have published three books of poetry, Barrier Island Suite, Time Capsules, and Landscapes and Architectures, as well as a collection of translations of the Belgian poet Paul Snoek, Hercules, Richelieu, and Nostradamus. I live in Columbus with my wife, Kim Whitehead; son, Aidan; and dog, Aleida.

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