I’ve been submitting to literary magazines for over thirty years, and in that time, I hope I’ve learned a thing or two about keeping track of my submissions and finding good opportunities for submitting. One thing, I’m continually thankful for is how much easier it has become to submit. When I started, it took subscribingContinue reading “Writers: How to Find and Track Submissions”
The world of publishing is a constantly shifting ground with mergers and acquisitions a faily common occurrence. I’m not going to try to address the broader picture here, but instead I’ll just give a brief history of my experience with this through my creative writing textbook A Writer’s Craft. When I first submitted the bookContinue reading “Publishing Mergers and Acquisitions”
Today a question came in about using persona to describe the narrator in fiction.
How A Writer’s Craft can be a (more) Anti-Racist Textbook, Part 8 Matthew Salesses’ chapter from Craft in the Real World, “An Example from East Asian and Asian American Literature,” begins to really get into some of the detail I’ve been looking for in terms of alternate structures and ways to rethink creative writing. IContinue reading “Alternate Structures for Fiction (etc.)”
The first section of Craft in the Real World is full of excellent advice for the fiction writing, yet the central idea I keep coming back to, especially in light of recent events, has to do with empathy.
This is a terribly horrific and sad week in America. Once again, a young black man has been killed on our streets — this time in Brooklyn Center, Minnesota, as the trial of the police officer who killed George Floyd goes on just 11 miles away. This time, Daunte Wright’s death is portrayed as aContinue reading “Mourning Daunte Wright”
I’ve now finished, Felicia Rose Chavez’s The Anti-Racist Writing Workshop, and so I want to weigh in with some thoughts on the way workshops are discussed, and some of the advice she gives.
How A Writer’s Craft Can be a (more) Anti-Racist Textbook, Part 5 Chapter 4 of Felicia Rose Chavez’s The Anti-Racist Writing Workshop talks about how Chavez moved from being taught with the standard literature anthologies when she was in college, reading the assigned white writers from library copies in old editions or photocopying assignments becauseContinue reading “Inclusivity: Expanding the Canon”
How A Writer’s Craft Can be a (more) Anti-Racist Textbook, Part 4 As I’ve tried to lay out in my first three posts of this series, I am very interested in and supportive of the move to create an anti-racist creative writing workshop. That doesn’t mean that the conversation is always comfortable, nor should itContinue reading “Confronting My Discomfort About Anti-Racism”
How A Writer’s Craft Can Be a (more) Anti-Racist Textbook, Part 3 Let me just put it out there: I’m a straight white guy, so you’d be justified in asking what right I have to write about anti-racist anything. My goal in writing this series of posts is not to co-opt the discussion or toContinue reading “Where I’m Coming From: The Origins of My Workshop Practice”