This ought to be self-explanatory, but I’m always surprised at the number of submitters to Poetry South who either ignore the bio that we request or don’t write it in third person. There are times when I simply don’t read a submission if it doesn’t have a bio because I don’t want to have toContinue reading “How to Write Your Third-Person Bio”
Advice on writing the letter of recommendation: don’t sweat the adjectives, but do give plenty of specifics.
Today a question came in about using persona to describe the narrator in fiction.
How A Writer’s Craft can be a (more) Anti-Racist Textbook, Part 8 Matthew Salesses’ chapter from Craft in the Real World, “An Example from East Asian and Asian American Literature,” begins to really get into some of the detail I’ve been looking for in terms of alternate structures and ways to rethink creative writing. IContinue reading “Alternate Structures for Fiction (etc.)”
I’ve now finished, Felicia Rose Chavez’s The Anti-Racist Writing Workshop, and so I want to weigh in with some thoughts on the way workshops are discussed, and some of the advice she gives.
Last week, I posted some late night musings on how a face-to-face classroom might be different under social distancing. I was surprised at the number of people who viewed that post — nearly 100 in the first day. And because I can’t ask questions like that without searching for answers, I’ve begun collecting some toolsContinue reading “Groups in the Social-Distanced Classroom”
As I’ve written before, I’m not the biggest fan of ranking MFA programs, though I do think those rankings have some value. For one, they tell you what programs other applicants are likely to apply to. When they’re descriptive, they can give you some valuable information as well. Though I don’t take a lot ofContinue reading “It’s nice when you’re #1”
As our low-residency MFA program enters its fifth year, it seems like a good time to reflect on where we’ve come and how we’ve evolved, and that includes why we’re committed to the low-res format for the degree. Our program is different from many low-res MFAs out there because we follow an online class model.Continue reading “Keeping the Res in Low-Residency MFA”
t’s been four years since we started the low-residency MFA program in creative writing at Mississippi University for Women, and in that time, I think we’ve created the best MFA of it’s size around
If there’s one thing I’ve learned over many years of replying to email as an educator and a literary magazine editor, it’s to take a deep breath before writing a reply and to imply the things I’d like to say. So you can imagine the reply I might have sent to the submitter tone ourContinue reading “The Art of Implication: replying to emails”