How To Find the best MFA program in Creative Writing (for you)

Summer is a time when many prospective MFA students begin searching for programs. Or maybe you’ve already begun that search, but it is now intensified as the application season approaches. Those who want to apply for an MFA need to have a good idea of their top choices soon, so they can work on crafting their writing samples and honing their statements. Application deadlines range from December to March, with most falling in January or February, so it’s not too early to start hunting for the perfect programs.

One of the best resources for this search is still <a href=”https://www.amazon.com/Creative-Writing-Mfa-Handbook-Prospective/dp/082642886X&#8221; rel=”nofollow”>The Creative Writing MFA Handbook</a> by Tom Kealey. I recommend it to my undergraduates (and often let them borrow a copy) not only because it has a good list of programs (though that list is getting a little dated), but also because it gives good advice on choosing a program. The best advice Kealey gives is that you should find the best program for you, which is not necessarily going to be the top-ranked program. He goes into much more detail about the kinds of choices that exist. Things to consider are the culture of the program, the kind of writing that the professors do or that recent graduates have done, as well as cost, location, and program structure. Finding the right programs for you to apply to is complicated. In his guide, he doesn’t give a ranking of programs because everyone’s rankings ought to be different. He does give valuable information about the programs he lists, though more programs have sprung up since the book was published, and programs change over time.

For up to date information, consult guides like those found at AWP, Poets & Writers, Publisher’s Weekly, and New Pages. Each of these sources provides some different information, so it’s a good idea to consult more than one and compare what you find.

In all of these listings, you can search by state, by genre, by type of degree, etc. This can help you narrow your search. It won’t take long to realize that there are a plethora of programs to choose from and that there is incredible diversity in their offerings. This is why some serious research at this stage can be beneficial.

Of course, there are rankings of MFA programs from sources like The Atlantic or Poets & Writers. What I tell my students about these rankings is that they’re most valuable for finding out where everyone else is probably going to apply. I don’t discourage students from applying to the top-ranked schools, but I do warn them to be aware of their chances. Most of these programs have very limited enrollments. They receive many, many more highly qualified applications than they will ever be able accept. We’ve had someone get in a very competitive program, so you shouldn’t ever sell yourself short, but you also shouldn’t limit yourself to applying only to the top-ranked schools. There are many other high quality programs out there that may be a better fit and where you may have better odds. I recommend applying to a range of schools. Don’t apply anywhere that you wouldn’t want to go, but don’t be so influenced by the rankings that you overlook schools that would be a great fit for you. Consider all of your options, and you should find a program that is the best for you.

Resources like The MFA Years blog or The MFA Draft group on Facebook (the link is to 2018, but a new group is started every year) can also help you research your decision and deal with the process of applying to programs. Also, be sure to read AWP’s Advice Articles about the application process.

In the end, taking the time and effort now to research the programs that are best for you will give you a much better chance of success. Not only will you find the programs that are the best fit, but you will likely also learn a lot about who you are as a writer and what your goals are. This will lead to a clearer, stronger application, and I would hope to a more rewarding experience in the program where you eventually choose to enroll.

Published by Kendall Dunkelberg

I am a poet, translator, and professor of literature and creative writing at Mississippi University for Women, where I direct the Low-Res MFA in Creative Writing, the undergraduate concentration in creative writing, and the Eudora Welty Writers' Symposium. I have published three books of poetry, Barrier Island Suite, Time Capsules, and Landscapes and Architectures, as well as a collection of translations of the Belgian poet Paul Snoek, Hercules, Richelieu, and Nostradamus. I live in Columbus with my wife, Kim Whitehead; son, Aidan; and dog, Aleida.

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