Posts Tagged ‘writers’

Eudora Welty Symposium at 30

The big day has finally arrived. The Eudora Welty Writers’ Symposium will begin its 30th iteration with the kickoff in Poindexter Hall tonight at 7:30pm. Steve Yarbrough wil read from his fabulous novel The Unmade World as we explore the place of Southern writing in the world through our theme “As if the Ear of the World Listened,” a line from Delta Wedding.

weltyposter2018aIt’s always great to bring a dozen writers to campus, spend time with them, our students, and our community. My nerves usually start to settle down once everyone is in town and I pick them up from the hotel in a W van. This year, we’ll be without one writer: Silas House is down in his back and in some serious pain, so we’re talking about rescheduling for a later date. If there’s one thing I’ve learned in 11 years of directing the symposium, it’s that you have to go with the flow. You can redirect it somewhat and try to keep everyone happy and moving in roughly the same direction (good food and great writing helps), but there are some things you just can’t do anything about, and you just have to let the momentum of the weekend develop as it will.

It helps that there are so many gracious writers out there, who will come and give us their all. Every year we think ‘this was the best group ever,’ and by and large that is pretty true. All years have been great, and ‘best’ is a relative term of course, but the group of writers usually gels. I expect no less in 2018, given that many of our writers are returning to the symposium and we have some wonderful new folks as well. In a few days, the blur that is the Welty Symposium will be over, and we will all be better for it, with new friends, new ideas, and more than likely with a bag full of new books.

Dispatch from the #MSBookfest

MS Book Festival with capitol dome
This past Saturday, I spent almost 10 hours outside on the capitol grounds in Jackson, Mississippi. Under normal circumstance, you might have to be crazy to do that in August, but this was no ordinary Saturday. It was the 3rd annual Mississippi Book Festival, and I was there in my third role.

The first year of the festival, I came down as a volunteer, and spent my morning in the Information tent, telling people where to go and how to get there: questions I quickly learned how to answer, even though I hadn’t been there myself. Fortunately, by afternoon, I was relieved from my post and went inside. I even managed to get into a few of the panels (attendance was high that first year, and you had to get in line early — attendance is still high, but there are more sessions in bigger rooms, which helps).

My second year, I was on the poetry panel, so I spent much of my time indoors waiting for my panel, reading, and listening to other panels. I did go outside to sign books and then to browse the bookstores and exhibitor booths.

This year, I opted to be an exhibitor myself, getting a booth for our low-residency MFA program. I also brought along brochures for our undergraduate concentration, the Eudora Welty Writers’ Symposium, the Ephemera Prize for High School Writers, Poetry South, and Ponder Review. I even brought my books and a brochure for A Writer’s Craft.

One thing I learned was that if you arrive at 7am and stay outdoors all day, it doesn’t seem as hot as it does when you come back from a midday break indoors and experience the heat full strength. The shade helped enormously, of course, as did the occasional downdraft of cooler air from one of the pop-up thunderstorms that went over, but didn’t drop much rain (thank goodness, though I had a tarp, just in case). And naturally, it’s good to bring plenty of water and dress appropriately for the weather. I kept my water bottle filled, and I wore a new quick dry, W Owls polo.

View from our table at MS Bookfest

It was also fun to meet the other exhibitors, and to talk to all the attendees who stopped by. It was great to meet prospective students, writers, high school students who were excited about the Ephemera prize, and W alumni who wanted to reminisce about the good old days.

Thanks to Carol Ruth Silver and Michael Farris Smith for stopping by, as well as to current MFA students Sally Lyon and Katrina Byrd. It was also great to see all the young kids who were enjoying the book festival: one barely old enough to read, but very excited to be there.

I gave away nearly all my brochures, and even ran out the one for the Eudora Welty Writers’ Symposium. I passed out copies of Poetry South, along with bookmarks, calls for submissions, pens, stickers, and the ever popular W mints. Though I didn’t get to go inside to catch any readings (next year, I need some helpers), when I did go in for my break, I could tell the crowd seemed every bit as big as in years past, and every bit as satisfied with the event. And when I was outside at the table, I was entertained by live music, people watching,  butterflies, and a gorgeous day.

If you haven’t been to the Mississippi Book Festival, you owe it to yourself to go next year. If you’re a writer, you might get on a panel (or set up your own booth for self-published and small press authors). If you are with a literary or arts organization, then you might want to have your own exhibitor’s table. And if you’re in the general public, then you can just go and enjoy all the free readings and entertainment, and maybe even buy a book or two. There are also plenty of food trucks with po’boys, catfish, popsicles, and other summer delicacies.

It is billed as the “hottest book festival in the country,” but don’t let the fact that it’s in August hold you back — if my fellow exhibitors and I can handle staying outside all day in 90+ degrees with a heat index over 100, then you can handle trips to the outdoor tents sandwiched in between readings in the Capitol and neighboring venues.

How to Promote Yourself as a Writer Online

Disclaimer, this is just my two-cents.

In my graduate class, “Writing for New Media,” there has been some discussion about using social media to market yourself as a writer. I won’t claim to have all the answers or even to have done any market research. The remarks that follow are based on what I’ve read about this and what I’ve observed. Mostly, I’m thinking about how I respond to other writers on social media and how I think my audience is likely to respond to me.

Rule #1: Don’t over-promote!

Have you ever been to a party with someone who won’t talk about anyone but themselves? Some writers on social media act this way. The only things they post have something to do with their books or publications. They brag about their successes, and they use everything, even the weather, to remind people to buy and read their book. I have an itchy filter finger; I will ignore them or even block them very quickly. As I would with the guy at the party, I will pretend to listen, all the while looking around desperately for someone to get me out of this situation.

Rule #2: Don’t under-promote!

Okay. You get it. You can’t just talk about yourself, but it’s okay to talk about yourself sometimes, right? Yes! When you have good news, share it. Don’t be shy. But even then, don’t make it all about you. When your book comes out, thank your publisher. When a magazine accepts your work, link to the magazine. Promote others as you promote yourself, and your posts will be relevant to those who want to learn about you and to those who want to know who the cool publishers or bookstores or other resources are. And make sure your blog or profile has information for anyone who’s curious to learn more about your writing.

Rule #3: Be a good literary citizen!

I was hinting at this in my last rule. You want to engage with readers, right? It seems to me that a good way to do that is to provide them information that they can use. So when you’re not promoting yourself, if you promote other writers or magazines or publishers or reading series or… well, you get the picture. The more active and engaged you are the more you can help others. And the better literary citizen you are, the more good will you will engender. You can do this by writing reviews of other people’s books or by sharing their good publishing news, submissions deadlines, etc. If you promote ten people’s books, they will be more likely to share your good news when it comes. And then their followers will know your good news, too. If you help twenty readers find books they like, then when yours is published, they’ll be more likely to check it out, and they’ll be more likely to tell their friends. As I said, I have no scientific evidence that life works this way, but it stands to reason.

Rule #4: Don’t post too much…

This is a little like over-promotion, but it doesn’t have to be about promotion. I know some writers who tweet at least twenty times a day (no lie). Or they update their Facebook status constantly with every game or every cause or every birthday. This may be okay, but I have a fairly low tolerance for frequent posters and I’m likely to tune them out. I don’t think you have to post all the time — not even every day, though that can be a good goal if it helps your writing to do it — so don’t feel like a failure if you’re not keeping up with the frequent posters. Your posts will seem more important if you follow…

Rule #5: Make every post relevant!

Okay, maybe not every post, but try to make your posts valuable to the readership you’re trying to reach. Some people have a separate account for their cat photos and one for their persona as a writer. This is a rule I violate all the time on this blog, and I’m not sure whether it matters. I get a lot of hits on my technology posts, and that probably doesn’t lead to too many people who want to read about cooking or poetry. (Does it help me get noticed by search engines? Do I get noticed for the wrong things? Maybe I should have a poetry blog and a technology blog…) For this blog, I don’t mind writing about multiple subjects because that’s how I set it up. I also like people to know I’m a real person and not just a poet. But for Facebook, I have a personal account and a poet account. On Twitter, I have three accounts: one for me, one for the Welty Writers’ Symposium, and one for the MFA program I direct (plus one for the Suzuki Strings program in our town that I manage in my spare time). If more of my friends or family were on Twitter, I might want a personal Twitter account. Now I have an Instagram that so far is mostly personal. Each of these identities is a little different, and yet I want each of them to make sense with the others for those who have found me in all of those places and want to get a broader perspective on who I am. I wouldn’t want my poetry readers to be shocked by my tweets or Instagram photos, in other words, but I might start a new account if I wanted to start writing Instagram poetry or twaiku on a regular basis.

Rule #6: Don’t use numbered lists!

Okay, I broke that rule, too… this time. But I’m not a big fan of the numbered list because I always doubt that there are Five Rules for Self-Promotion. I always suspect there must be a rule number 6 or 8 or 25, and I’ll probably think of two or three as soon as I hit “publish.” Or maybe there’s only one rule: Be a mensch: do promote yourself, but do it in moderation and with an ounce of humility.

What are your rules?